WJWTRTW / Nothing (5:01)

•December 12, 2003 • Leave a Comment

Composition: Oikarinen & Ylilauri
Lyrics: Oikarinen

Track details:
Matti: lead & backing vocals
Oikku: acoustic & electric guitars, backing vocals, percussion
Ville: fretted & fretless bass
Mika Kamula: djembe
Topi Siltala: djembe
Matsin the Djembe: djembe

 

  • One of the weird tracks, starts with psychedelic vocal drones
  • This song has its origins in one of the first songs that Matti & Marko composed together. However, even if the songs were compared side by side, it might be impossible to find recognizable similarities 🙂
  • Ville does not do two-handed tapping, so when he was asked to double the tapped guitar-parts, he had to play them with normal fingering style. Could have used longer fingers…
  • Featuring fretless bass in the first part, then switched to fretted.

WJWTRTW / In the Valley (5:00)

•December 11, 2003 • Leave a Comment

Composition: Ylilauri, Oikarinen, Veijalainen
Lyrics: Ylilauri

Track details:
Matti: lead vocals, percussion
Oikku: acoustic guitars, percussion, backing vocals
Ville: fretted bass, keyboards, backing vocals

 

  • Matti came up with the melody lines and lyrics for the complete song (no chords, just solo vocals). The lyrics were inspired by a poem written in Finnish by Aimo Veteläinen. Marko composed the chord structure and the song was first recorded in 1992? (This version had no bass). Somewhere around 1996? Ville came up with the idea of changing the time signature to 5/4. Also the middle section was re-composed. We played this one a lot on live gigs and eventually the arrangement turned into what it is now. The lyrics and backing vocal parts were revised for the new recording.
  • The pizzicato-like sounds in the middle section were created with a nylon-string acoustic guitar.
  • The strange sound that begins the song is a reversed djembe hit with a long reverb.
  • the bass line was developed from a single pattern by altering the time spent playing each note of the pattern.

WJWTRTW / In the Forest (3:05)

•December 10, 2003 • Leave a Comment

Composition: Oikarinen
Lyrics: Ylilauri & Oikarinen

Track details:
Matti: lead vocals
Oikku: acoustic guitars, backing vocals, drums
Ville: fretted bass, clarinet

 

  • The tune starts off as a merry folk-song, but turns weirder towards the end.
  • This was the first Trusties-song ever, where an actual drum kit was used.
  • The original draft of the lyrics was created with Katie Plumb in the University of Oulu in 1993. A trip to imagination…
  • Most of the lyrics existed before the music, which is a bit unusual for us.
  • The clarinet-part was written by Ville.

WJWTRTW / The Usual Black (1:59)

•December 9, 2003 • Leave a Comment

Composition: Oikarinen

Track details:
Matti: percussion
Oikku: acoustic & electric guitars, percussion
Ville: fretted bass, clarinet

 

This is another instrumental track, the middle part after the clarinet solo is perhaps the most intimate section of the album. The anthemic main theme melody was written on guitar. The variation of the melody in the B section was written on keyboards and it is very unnatural to play with a guitar.

The clarinet solo may have something in common with the synth solo in Universe’s End. Ville actually played some percussion for this song (not credited), the silent ride cymbal behind the solo was played by him (his only percussive contribution, excluding the bass work).

WJWTRTW / A Different White (5:43)

•December 8, 2003 • Leave a Comment

Composition & lyrics: Oikarinen

Track details:
Matti: lead vocals
Oikku: acoustic guitars, keyboards, vocals
Ville: fretted bass
Mika Kamula: djembe
Topi Siltala: djembe
Matsin the Djembe: djembe (solo)

 

This song was developed from a very old 4-track demo called “Clouds”, circa 1990. The demo already had the main guitar riff and the chorus section.

    WJWTRTW / The Ultimate Decision (4:02)

    •December 7, 2003 • Leave a Comment

    Composition & lyrics: Veijalainen

    Track details:
    Matti: lead vocals
    Oikku: electric & acoustic guitars
    Ville: fretted bass, keyboards
    Janne Ervelius: drums

     

    • The guitar riff of the chorus is a left over from Comanchio (Growing Smaller song).
    • A variation of the same riff begins the whole album.
    • The electric guitar parts in the verses and the vocals of the last verse were the last things recorded for the album.
    • The strange scratching sound in the chorus was created using bass.

     

    The Ultimate Decision – A little story about writing of the lyrics (by Ville)

    This was the first ever song, where I wrote both the music and the lyrics. Why I wrote the lyrics, I still don’t know. It just happened.

    I was composing the piece with my acoustic guitar, the verse and chorus were already in their final shape. Also the general structure was pretty much finished, although it had one extra verse/bridge pair before the first chorus at this point, when compared to the finished version. I had started to think about the vocal lines, so that I could create a simple demo, and teach the song to the other guys for arranging and lyric writing. I was completely stunned by the melody I had just discovered for the chorus, singing it over and over again, while playing the guitar riff. I usually evaluate my little creations in this way, trying to forget that I actually wrote it myself, and try to hear it as an external listener would. Sounds schizophrenic, I know.

    Anyway singing ‘nah nah’ over and over again was getting pretty boring after a short while, and started to disturb the process. So the natural thing to do was to quickly write some lyrics, just to test the melody. Just any lyrics, that would come fast. So I took a pen and a piece of paper, hummed the melody of the chorus and wrote:

    Up in the red skies castles are burning
    Down on earth sweet dreams and high hopes die

    I looked at the paper amazed. It was disgusting. How can anyone write such crap? I almost puked… I sang the lyrics trying not to think about them, and concentrated to work with the melody.

    Later I was surprised to find myself writing lyrics for the 1st verse. I tried to convince myself: it’s just to test the melody, I won’t show it to anyone. Somehow I started thinking that I need some kind of a story for the lyrics. The atmosphere of the chorus was not exactly happy or light. It might make someone laugh, but still it’s mainly depressing.

    Suddenly I remembered a conversation from my youth, which I heard at the exercise of the local football team. We were about 14 years or so, two other kids talked about the sorrows of life, wondering why there are so many sad things for each good & nice thing. This made me think, that maybe it is really so, that if you were able to measure all the joy and sorrow in the world, there would be clearly more sorrow. It was just an intuition, I couldn’t prove it of course, although some things learnt from the physics lessons seemed to give some support to it. This was obviously the starting point for the story, and the first two verses were quickly written. The two kids in question play currently for the Finnish national team, by the way.

    He wanted to find out the balance between joy and sorrow
    If there was more one than other in this life
    He was to have it measured by a pair of scales and arrow
    The weights would stand for each experience in life

    Applying highest objectivity everything was measured
    The scales were firmly turning to the other side
    Pain and misery had outweighed laughter and pleasure
    To make the conclusion he looked into the sky

    After the first chorus I had some difficulties, the same story didn’t seem to be able to carry all the way to the end of the song. I felt that something has to happen at this point. I’ve later learned that this phenomenon is called the ’2nd verse hell’ by the songwriters.

    Some months earlier I had seen a TV-show, where several philosophers were discussing several metaphysical issues (hey, something useful from the telly, those were the days!). One of the discussions was about a pre-Christian text outside of the bible, which told a story about creation of the angels. At the moment of creation they had the freedom to make exactly one decision, whether they would serve the good or evil. No more free will after that. Lucifer was an angel with superior capabilities compared to the others. Despite those capabilities (or because of them), he decided to serve the evil side, and one third of all the angels followed him.

    The philosophers discussed a lot about the reasons behind that decision. If he was so smart, why did he join the ’wrong’ side? He had to know he was going to lose in the end. To me it sounded like he had to do it just to show that he is able to do it. I mean, if he was so superior to the others, how could he make the same decision as the others?

    Anyway, that’s where I got the idea for the last verse. Also in this case a decision between right and wrong has to be made. Otherwise the setting is completely the opposite to little story mentioned above. There doesn’t seem be any reason to ’do the right thing’, the world isn’t going to change by that. Why on earth then, did he do what he did?

    And so the time had come to make the choice between the two sides
    Whether he could live for the good cause anymore
    Despite what the hard facts of reality had testified
    He decided to serve the bright side forevermore

    WJWTRTW / Looking for Keith (1:37)

    •December 6, 2003 • Leave a Comment

    Composition: Veijalainen & Oikarinen
    Lyrics: Ylilauri

    Track details:
    Oikku: electric & acoustic guitars, drums, keyboards
    Ville: fretted bass

     

    • Maybe the weirdest track of the album, short but dense.
    • A video of this potential top-ten hit was premiered at OMVF in 2000.
    • Features bottleneck slide guitar parts that are… well… unorthodox??
    • Ville came up with the main riff and Marko composed the song around it.
    • The ‘style’ of Marko’s drum arrangement resembles a certain Frank Zappa composition that we used to play.
    • The riff was often used as the basis for group improvisations on live gigs.
    • Some day we may release a version with vocals, hopefully introducing Matti’s Tom Waits-alter ego…
    • Matti came up with the title.

    WJWTRTW / Messages (3:44)

    •December 5, 2003 • Leave a Comment

    Composition: Oikarinen
    Lyrics: Ylilauri & Oikarinen

    Track details:
    Matti: lead vocals
    Oikku: electric & acoustic guitars, drums
    Ville: fretless bass, keyboards

    • Pastoral and beatiful slower song with a solo section that is lots of fun to perform live.
    • Frustrated but concentrated story about isolation & desolation. Windmills and all on my mind.
    • The acoustic guitar part is arranged to “have as many simultaneous notes ringing at the same time as possible”.
    • Different guitars seem to come from the factory with different songs built inside them. This song came out of a nice Martin acoustic Marko once tried.

    WJWTRTW / Your God (6:13)

    •December 4, 2003 • Leave a Comment

    Composition: Oikarinen, Ylilauri, Veijalainen
    Lyrics: Ylilauri & Oikarinen

    Track details:
    Matti: lead vocals
    Oikku: electric & acoustic guitars, backing vocals, drums
    Ville: fretted bass, keyboards, backing vocals

     

    • A dark & provocative track, maybe the heaviest we’ve done so far.
    • The lyrics were inspired by a TV-document ” One real god ” and life itself.
    • Again there are some latin references in the drum comp of the chorus.
    • A real drummers comment of the drum performance was: “A real drummer wouldn’t play stuff like that.”
    • Morse coded S.O.S. forms the motive for apart of the verse vocal line. It influenced also the lyrics there.

    WJWTRTW / Back to the Womb (2:43)

    •December 3, 2003 • Leave a Comment

    Composition: Veijalainen & Oikarinen
    Lyrics:  Ylilauri

    Track details:
    Matti: lead vocals, percussion
    Oikku: electric & acoustic guitars, backing vocals, percussion
    Ville: fretted bass, backing vocals

     

    • Mean and agressive song, one of the first written specifically for this album
    • Featuring garage-rock attitude, latin rhythms & distorted acoustic guitars
    • The main drum parts were originally performed with a percussion & cymbals kit. The snare & bass drum are actually samples triggered by other percussion instruments. If you listen carefully, you can hear the cowbell that triggers the snare sound.
    • The acoustic guitars were the first things recorded for the album. The semi-distorted sound is a combination of the real acoustic guitar sound and the acoustic guitars pickup wired through an electric guitar rig.
    • Some ultra-high backing vocals were recorded for the chorus, but they were left out in the final mix
    • Matti is credited alone for the lyrics, although Ville came up with the title. Also a couple of lines were co-written by all three guys in a motel room in Pietarsaari.